Excerpt from Double Scales, Systematically Fingered: A Supplement to All Existing Pianoforte SchoolsThe fingering of a right-hand scale having a given number of sharps corresponds to that of a left-hand scale having the same number of flats, and vice versa. For the fingering to be precisely similar, the hands must move in contrary directions. For example: If the following
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A supplement to all existing pianoforte schools by taylor, franklin, 1843-1919.
Excerpt from double scales, systematically fingered: a supplement to all existing pianoforte schools the fingering of a right-hand scale having a given number of sharps corresponds to that of a left-hand scale having the same number of flats, and vice versa. For the fingering to be precisely similar, the hands must move in contrary directions.
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Up to this point, i’ve kept the 3rd finger out of the lower positions. This is when i like to introduce the concept of “shiftless” scales and one finger per half-step. Anyone who has played electric bass will be quite familiar with this pattern! hat tip to jeff bradetich for teaching me this pattern when i was in high.
Rules and tricks for remembering the fingerings for two octave scales and arpeggios on the piano.
If played on just one string, chromatic scales actually do fit neatly into a fingering pattern. I think that i first discovered this fingering back in high school practicing through rufus reid’s monumental book the evolving bassist. It has stuck with me ever since, and it’s a great way to develop your chromatic scale game.
Double scales systematically fingered a supplement to all existing pianoforte schools. Author: franklin taylor publisher: franklin classics trade press.
A scale in double thirds is one in which each hand plays two notes simultaneously a third apart,.
In the tu method, the thumb is brought under the hand in order to pass the 3rd or 4th finger for playing the scale.
The fingering of scales in thirds depends on the place of the little finger, which occurs once in each ortave,.
May 1, 2018 typically, i start by focusing on two octave major scales only up to two the finger pattern for c major is quite similar to g major, and since.
Double scales systematically fingered; supplement to all existing pianoforte schools by 1843-1919.
Most important with double note scales is strengthening your third, fourth and fifth fingers. This is especially important because more often than not, these fingers will be playing melodies. Check out this exercise: you can use the same fingering descending.
This chapter looks at the traditional fingerings for scales in double thirds, where the octave is divided up either into three groups (long-short-short) or two groups (the so-called “double thumb” fingering). There is also an exploration of alternative fingerings by moszkowski and busoni, and by penelope roskell.
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